KUBLA KHAN explanation

 

Or, a vision .............

.............greenery.

In these lines from the poem Kubla Khan, the poet Samuel Tayler Coleridge narrates how Kubla Khan ordered a stately pleasure house to be built and what was subsequently done to get it built. Kubla Khan ordered the erection of a magnificent pleasure palace on the banks of the sacred river ‘Alph’ which flowed underground for a long distance through unfathomable caves into a sea where the rays of the sun could no penetrate. Accordingly, for this purpose, of fertile land covering ten miles was enclosed with walls and towers all around. On one side of this land, there were gardens full of aromatic trees where sweet-smelling flowers bloomed. There were meandering streams flowing through these gardens making the place exceedingly beautiful. On the other side of the land were thick primeval forests as old as the hills within which there were plots of grassy land warmed by the rays of the sun.

But oh! .......

..........war!

These are the most famous lines of Coleridge’s poem Kubla Khan and have been highly appreciated for the effortless adaptation of the sound and rhythm to the various parts of the descriptions. While describing the beautiful grounds, the poet seems to have been attracted by the most remarkable mysterious chasm which stretched across the hill covered with cedar trees. It simply defied all descriptions and was a highly romantic place and wore a mysterious aspect. It seemed an enchanted place haunted by demons and fairies and frequented by a disappointed lady-love weeping for her demon-lover under the light of the fading moon.

The vagueness and mystery of this place suggested witchcraft and its practice as they are associated with such surroundings. From this chasm, a fountain gushed forth every moment so violently that the trembling earth round about appeared like a man breathing hard while dying. It momentarily threw up huge fragments of rock which tossed up and then fell to the ground in all directions like hailstones from the sky or like chaff flying about when crushed with a flail. From this chasm also sprang up the sacred river, Alph which flowed with a zig-zag course for five miles through forest and valley and then fell into the calm and tranquil ocean through the unfathomable caverns. As it fell into the ocean, it created a great roaring sound. In the midst of this uproarious noise, Kubla Khan heard the voices of his ancestors prophesying that the time was near when he should indulge in ambitious wars. In the pleasure-house, Kubla Khan became addicted to luxury so his ancestors urged him to shake off his lethargic and luxurious life and be ready to the life of adventures and wars.

The ........

............Abora.

The poet here says that the reflection of the pleasure-dome fell between the fountains mingling with the echoing sound coming out of the caves created for the onlooker an illusion of really rhythmical music. The palace was the construction of rare design and a wonderful triumph of architecture as it combined in itself a summer and a winter palace. The top of the building was warm because it was open to the sun while the low-lying chambers were kept cool by ice which never melted. In the next lines, Coleridge introduces a beautiful girl brought from a distant country, to complete the picture of the romantic atmosphere. He says that once in his dream he saw a girl who was brought from Abyssinia. She was singing of her native land Abyssinia and Mount Abora. The poet means to suggest that her song showed homesickness. She had been brought from her country to a distant land China and wanted to return home and to play freely and happily once more with other girls of her country.

 

 

Could I revive ..........

...................Paradise.

These lines conclude the unfinished poem. When the poet saw an Abyssinian girl singing a melodious song and producing an exquisite melody on her dulcimer in the pleasure palace of Kubla Khan, his imagination was seized by the great power of music. In these lines, he says that if he could recall or learn the ravishing music of the Abyssinian girl, he would build the beautiful palace of Kubla Khan in the air. He would be filled with his swelling notes. Helped by his quickened imagination he would be able to reconstruct the whole scene. The long practice of this divinely inspired music will enable him to reproduce the whole palace in the air as beautiful and ethereal as the palace of Kubla Khan together with its sunny dome and caves of ice.

His inspired imagination would create “a willing suspension of disbelief” and the readers would feel that the entire beauty of the palace has been captured for them. They would be struck with awe created by his flashing eyes, steaming hair, and lips. His frenzied condition would frighten them so much that they would guard themselves against coming into close contact with him. In order to save themselves from being infected by his magical charm, they would confine him within a magical circle three times. The poet has tasted the manna and nectar of divine poetic inspiration and has developed a catching influence of music in his looks. In order to save themselves from the effect of his charm, they would shut their eyes.